the tuffest unit, the tmlr aka kaidi,mr mensah,matt & dego drop more london boogie, afro funk and goodgood vibes.

vinyl only , leaving unwarranted hype to others - the london/manchester based imprint ‘reflektion/tapes’ are not messing around when it comes to their remarkably promising debut vinyl. catalogued as ‘rtapes001’, it features a collaboration of von d with mizz beats and mr lager respectively.

london producer bxentric releases his latest ep sakura fall . this is the third release from his own label nanda records, following the well-received patch valley and chrome eps. prior to launching his own label, bxentric released on eskimo recordings and glasgow underground. in november 2015 patch valley was included in maceo plex s essential mix for radio 1 and was supported by the likes of barnt, job jobse and bicep.
the a-side of bxentric s latest release includes sakura fall which is a dark heater followed by a contrasting downtempo track afon . the b-side offers a melodious matt karmil version (pnn, beats in space, studio barnhus) of sakura fall . bxentric s lead track has already received airplay on b.traits friday night bbc radio 1 show and support from joris voorn, baikal, andre hommen and kollektiv turmstrasse.

optimo music are delighted to present the second full-length from the golden filter, still / alone. after relocating to london and playing shows around europe for a year and a half, self-imposed pariahs penelope trappes and stephen hindman delved into creating a two-sided existential opus by renting out old studio spaces around the uk and using mostly analog 80 s instruments, machines and effects. an album about being in love with pure solitude, when still // alone is separated into two distinct sides, record one, still, is a hypnotic meditation for the nightclub. wavy patterns of sound and light bounce off of penelope’s literary vocal bursts, layered over the ominous deep synths and arpeggiators, held together only by a strict 4/4 beat. the rhythm, ironically forcing the body to move, however internally focused and mindful, still. record two, alone, takes the club offline and into the fringes of raw, odd pop.

different shapes & sizes is a new, 3 part series of eps from berlin resident spencer parker forthcoming on his work them records imprint over the next few months. conceived as a neat way of showcasing parkers love for different shades of house and techno, different shapes & sizes takes a walk through the rekids artists love for the subtle differences in the genres he tends to focus on most in his sets. london-born parker has been in fine fettle this past few years with his its not over project riding high while work them records has been lauded for tracks and remixes from the likes of radio slave, rodhad, pittsburgh track authority, young male and dan beaumont. different shapes & sizes: part 1 a double a-side exercise in muscular, simplistic house workouts, drops on vinyl and digitally in february with parts 2 and 3 following in march and april respectively.

the word classic get s bandied around a lot when talking about certain records, artists, labels etc but rarely is it truly justified. in the case of the monumental slab of nyc deepness that is i ll be your friend we feel the tag is genuinely justified. originally released in 1991 on the rca label the track has been one of house music s most enduring anthems. literally one of the deepest tracks out there, it s combination of owen s vocals paired with the stellar production techniques of def mix s david morales (and those drums) is such a heady combination that the record crossed over so many scenes and to this day remains an evergreen staple in dj s of all persuasions bags. featured here we have all the original mixes (with the exception of the shorter radio edit) in their original forms. the record sounds as fresh as it ever did, the sort of track that never dates and will always fit into a set, the very definition of a classic. legitimately re-released with the full involvement of rca records for 2017 and remastered from the original sources specially for mint condition by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition

london’s finest deep and soulful house label, makin’ moves now into their forth year, celebrate their 50th release with a unique one off 12” vinyl press! the team who have already worked with amazing artists and producers including peven everett, kenny bobien, glenn underground to name but a few present the dj spinna and zo! remixes of the foreign exchange’s club hit ‘body’.

2017 repress , remixes by ricardo villalobos, butch, tuff city kids
cybordelics was founded in 1993 in stuttgart, germany. in the same year, mike s., milan zemanec and daniel varga aka cybordelics released their hit adventures of dama on sven väth’s label harthouse. the record climbed up the uk dance charts to the 2nd place. people from london to germany, especially in the legendary omen club in frankfurt, danced to their techno anthems until the late afternoon. today’s artists like ricardo villalobos, sven väth, gregor tresher, chris liebing, gerd janson or anthony rother were at the omen club when this record was played for the first time, and they still consider adventures of dama a milestone in techno history. 23 years later, the new harthouse label begins 2016 with a remix ep, featuring remixes by ricardo villalobos, butch, tuff city kids, starting a new era of the harthouse story.

perc trax return with their first full ep from london s manni dee
three tracks at the more extreme edge of the genre.

2017 repress .. subsequent. we live in old structures, admire the same old gods! after the success and the blitz sale of their first release - subsequent is back with 4 uncompromised original tracks from a group of mysterious london producers. a striking simplicity defines this moody ep. subsequent material at its best. as always subsequent promotes originality and beautifully crafted music of the next generation of expert producers. enjoy!

this sublime four-track ep sees the london-based italian-born dj/producer kick the year off with a bang, following a highly successful 2016. the eps title track the basement shit commences the release, offering up a stomping bass heavy raw beat groove, a spoken-word hip-hop-inspired vocal, ever growing warped sound effects and a twisted synth-riff. next, the uk dance music pioneer skream steps up to provide a stunning remix, taking the basement shit into a whole different direction by utilizing some of the original s key elements but adding a much more techier feel to the record. in addition to the original and skream s remix, a special dj tool version of the track is also included within the package.

brooklyn resident kim ann foxman kicks off 2017 with a fresh release on her own firehouse records imprint. &#8203,,,,,energy ep comprises four new tracks heavy with foxmans recognisable sound, centred around her own unique vocals and the nostalgia of early house and techno records. following on from a series of highly acclaimed solo productions on firehouse, foxman once again creates musictointoxicate.&#8203,,,,,energyepdiv&#8203,,,,,esintomyraveroots, sheexplains, itincludesaselectionoftracksto be enjoyed at diff&#8203,,,,,erent times of the night. urmagneticsetsthetonewithafeverishvocalhookedonhauntingund&#8203,,,,,ertones, while e4energy steps up the tempo with a rhythm that exudes foxmans own fire and intensity, whilst also capturing the spirit of rave. foxmans vocals are centre&#8203,,,,, stage in &#8203,,,,,u & me electricity, a track reminiscent of the uk rave scene and concluding in true mind-b&#8203,,,,,ending style is &#8203,,,,,2 the source. foxman created firehouse recordings two years ago and has developed it into a label for music heads that centres around quality underground music for the dancefloor. 2016 saw her become the resident at the good rooms in brooklyn, a panorama bar regular and she concluded the year by playing for the &#8203,,,,,mixmag lab london&#8203,,,,,

nice price deal !!! anthony shake shakir, west norwood cassette library and don froth have teamed up to remix tracks off froths 2012 uno release, reflex. this four track, vinyl exclusive, 12 inch ep is an unpredictable, roughneck slice of acid, techno, bass and breakbeat. album artwork by frothnrecs founder don froth. straight from london, detroit, and los angeles to you. enjoy.

ltd 2017 repress !!
for the ninth release on hotflush two, a new producer based in london steps to the fore: joy orbison, with two tracks resonating somewhere between dubstep, funky, and future soul. >hyph mngo< is the years most talked-about track in the blogosphere: championed by martin >blackdown< clark and maligned by simon reynolds, it has already become a smash in clubs across the world. on the flip, >wet look< maintains the vibe, and has been supported by gilles peterson on his bbc radio 1 show.

informed by years spent building electronics and collecting records in chicago and honing crowd control skills in the foggy clubs of london, c powers output approaches multiple rhythmic configurations via the intent of generating human response expressed in dance. c powers is currently residing back in his home state of georgia and is holding resident dj posts at atlanta s hunger club night and his own cape fear in savannah ga. c is also the resident dj for savannah s own house of gunt performance group who through cross sensory stimulation experiences involving gender blasting action and choreography. chris s recent output includes 12 s on proper trax, cgi, niche-n-bump, as well as producing tracks for 18+ (houndstooth/fabric). all right is a sample-based late night banger with remixes from house music heavyweights parris mitchell (dance mania), kai alce (ndatl), and john barerra & will martin (dolly, argot). get on up! super limited us imports

modugroove is a new record label by lee renacre from 100hz. started in 1989, their first release low frequency overload with optimism records entered the national music charts. lee then started a record label called format records with great tracks and reviews. lee has released with various classic record labels of the 1990 s including pacific records, oblong, rehab and eukahouse. he was included as one of several london artists who were considered to have started the tech-house scene according to mixmag september 1997. recently 100hz have been releasing music with bosconi, imprints, hi phen and logistic records. modugroove aims to release future classic music with new and known artists with a passion for the extraordinary. the first release is called modulation and is a showcase of the wonderful world of analogue modulating synthesis. stealthy and deep these tracks include a new collaboration group called junction chaos who improvise new music.

tucked away in a now not-so-quiet corner of south east london, wholemeal have been quietly, unobtrusively getting shit done. wholemeal music’s freshman release hits the shelves this month featuring two cuts from yam records boss tom esselle and a hoofing remix from fellow south-londoner west norwood cassette library. skilfully treading the line between house, techno, and jazz, the a-side, until she spoke is a superlative exercise in light-touc h sampling and devastatingly effective rhodes work. it shuffles then stomps, hypnotises then elates, bringing together disparat e threads to create something for the head and the heart. the title track, garibaldi, maintains the light-touch sampling thread and then takes it to a whole new plane of drum-driven dancefloor detonation. twisting chord hits whirl around a savage interplay between bass and drums before dropping back to an elemental pounding, bypassing the brain and heading straight for the feet. long time wholemeal friend and serious contender for the nicest man in music award bob wncl has very kindly picked up garibaldi by the scruff of the neck, grafted an enormous pair of junglist balls onto it and kicked it screaming across t he dancefloor. this is about as peak-time as it gets. wait for the wall of bass after the second drop, its enough to stop you breathing.

groovepressure is excited to be re-releasing two tracks from the first ever groovepressure release. resonators is groovepressure honcho robin ball and long time school friend salman montiero. made in 1999 in a very small studio in robin s house, robin remembers -getting them pressed and taking them to the shops i loved in london to see if they would sell them and getting a really good reaction from the shop staff. not that it was going to be a big commercial success or anything like that, more because the tracks had a unique sound and i think still do today. the underground scene then was a lot more freestyle but even in that atmosphere it was an unusual release. since then it s been one of the most sort after releases from the groovepressure back catalogue. it s an exciting time to be re-releasing this with the re-emergence of the label. booma and shuzzbuzz have been re-mastered and remixed by robin ball.

obbatuké are an 8-piece rumba group from santiago de cuba, lead by renowned quinto player carlos guerra. the band are mainstays at the casa del caribe, widely regarded as the epicentre for the eastern rumba scene.
rumba is a percussive-led genre descended from africa which was formed when mixed with spanish influences in the ports of havana and matanzas.
as innovators in the genre, obbatuké have been a huge inspiration to the manana project, and were involved in collaborations at this year’s event with plaid, quantic, nicolas jaar and london based breakthrough act, ariwo. this particular session was recorded at castlesound studios in edinburgh on the band’s first trip outside of cuba. it features three different sub-genres of rumba and an extended yoruba bata piece called orun seco.

all lives have routine. mine is no different. new label called routine. london based. producer just wants to put out some nice tracks on vinyl. no hype, no fuss, no hard sell.

the year 2016 cemented dext s position in the boxes of discernible djs around the globe, by putting out a string of material from the likes of hodge, bodyjack, mella dee, endian, lo shea and callahan. we kick off 2017 with a bang with a killer 12inch from the fast rising otik. hailing from bristol by way of london, he has steadily been building an artillery of heavy club hitters on labels including 17 steps, push & run, infinite machine, and durkle disco, plus remixes for the likes of dusky, rosie lowe and pixelord, it s clear to see his ascension is moving at a strong pace and we are proud to be able to drop this for you we won t say much about this ep other than it fuses everything we love here at dext: hard hitting funky drum programming, super heavy sub basses and shades of rave, house and techno. backed with two remixes one from talented newcomer erosion flow who has released on martyn s 3024 label in 2016 and another mix from uk artists who are synonymous with writing club bangers mak & pasteman.

uk production duo alfie granger-howell and nick harriman aka dusky drop 4 of the finest remixes from their outer album campaign of last year on heavyweight white label vinyl. t. williams cult grime alias dread d alias and livity sound mainstay kowton lend their hand to 2 heavyweight remixes for the wiley collaboration sort it out sharon whilst the talents of bwana and techno don shed take to the buttons on ingrid is a hybri a legendary figure for his formative work on jon e cashs black ops label around 2002 - 2006, dread d has been bubbling back into focus over recent years through a string of strong releases on local action. on his remix, the versatile veteran gives wileys freestyle a bashy, classic london grime refix.

nachpressung im regulären cover ohne booklet & mit downloadcode.
flofilz hat sich in den letzten zwei jahren in die erste liga der europäischen beat-produzenten gespielt. mit seinem entspannt jazzigen sound kriegt er sie alle: seine 46.000 (!) soundcloud-fans genauso wie die beatgeeks in berlin, die rapkids beim splash und den boiler room in london. mit “cenário” setzt flofilz nun seine musikalische städtereise fort, die 2014 mit “metronom” in paris begann. für sein neues album ist er in begleitung von fotograf robert winter nach lissabon gereist. die eindrücke dieser reise hat flofilz in 16 neue tracks umgesetzt, bei zwei songs wird er dabei von der jazz-sängerin oliva wendlandt (relaén) begleitet.

mint condition a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in. guy plez pleasant dropped this monstrous slab of proto-tribal techno on his own plezure label way back in 88. the rest, as they say, is history. a stone cold nyc club bomb was dropped. literally. the fact that this record is still played, still talked about, still sought after really says something about it s heady mix of heads down dark corner tribalism, it s screeching, soaring synth lines and it s sheer balls out attitude. this one goes off. a cursory glance shows that plez only did a handful of records, with cant stop definitely being the biggest and most well known and loved (honorary tip of the cap to thing for you here too). the acid rainforest mix featured on this 12inch is a dangerous weapon in any dj s bag, submerging the dance-floor into an otherworldly jungle planet. heavy, heavy stuff. heres the chance to bag yourself a classic slice of nyc dance history, sounding as heavyweight as ever, ready to do damage. fully remastered specially for mint condition, i can t stop is back, as notorious as ever. legitimately re-released with the full involvement of guy plez pleasant for 2017 and remastered from the original dat s specially for mint condition by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

limited heavy-weight 12 inch vinyl to 300 copies only. azymuth drummer ivan mamao contis forthcoming self-titled solo project, remixed by west london broken beat pioneer ig culture for a scorching club monster, alongside three future-funk remixes from 22a records family tenderlonious, reginald omas mamode iv and jeen bassa.

first word enters 2017 with a bang: a 28-track album courtesy of eric lau. this, his third instrumental album, is a veritable tapestry of vibes, ranging through hip hop, soul, jazz, funk & brazilian beats. a mere taste into the genius production skills of london’s mr. lau, it’s easy to understand why he’s so revered by djs, artists and producers across the world, including rich medina, 9th wonder, bobbito, dam funk, gilles peterson, james poyser (the roots), phonte and ali shaheed muhammad (a tribe called quest), amongst others.

since their inception in 2013, east london duo payfone have been breathing warm-blooded soul into their unique machine-fuelled groove. drawing the dots between the white isle and nu yorica - by way of london s narcotic nightlife - the pair conjure a rhythmic throb and soulful devotion all of their own. together, phil passera and chieka ononye buzz along the fault lines of classic r&b, cosmic disco and acid house, injecting their sound with 21st century syncopation. adhering to a strict no samples rule, their manifesto demands that everything be 100 percent original. it s a formula that s worked well so far: the pair have been widely tipped across the blogosphere and are currently linked to celebrated us imprint golf channel recordings. following three sold-out releases for the label, they return with another pair of discreet bangers, justified and we are chains. the tracks turn up the heat on their previous releases, again offering the vocals of performance powerhouse louis howard jones whose lyrics spark with a political punch.

jammhot are a leeds and london-based production partnership consisting of matt mason and jamie adams whose rich blend of house flavours that oozes musicality and sense of adventure is now introduced to the eyetone imprint with et 006. 4 terrific cuts form the under the influence ep and demonstrate a core ethos at work that allies irresistible rhythms and bold melodic directions that are aimed firmly for the dance floor.

after 5 years of throwing parties in leeds, london and across europe, flux inaugurates their record label with a stunning 4-tracker from enigmatic newcomer shedbug. accompanying 3 original tracks are german heavyweights tuff city kids (gerd janson and lauer) on the remix. pressed onto 180g high quality black vinyl (no digital release), this limited run is presented in beautiful cover and label artwork from laura zhang. opening track aftermath is a lo-fi techno ballad that pairs distorted kicks and brittle hats with gliding pads and sparkling synth details. siren, a gawping broken-beat roller, counter-balances by drawing heavily upon pioneering sounds of late-2000s uk bass/dubstep. on the flip tck s retro take on aftermath is an uplifting gust of 90s-inspired euphoria. with tough beats, a touch of acid, and rave-tinged string lines, the remix caters for all peak-time occasions. recovery closes with a tender 7-minute sojourn through hazy dream-states, subtly melancholic, but ultimately a cathartic experience. poignant, effective, and well polished, afterglow delivers a diverse but focused sound. highly emotive beats for the more sensitive dance-floor

for the tenth release on tief music, the label enlist one of london s most respected and under-sung producers, mr beatnick. ‘church street blues follows on nicely from beatnick s first ep on the label, marshmallows , which received support from the likes of gerd janson, leon vynehall, midland, massimilano pagliara but to name a few. tief010 offers two emotive originals and a remix from mister saturday night regular, nebraska.

another stone cold ny club jam from the archives of the legendary sam records label. feel alright does exactly as the title suggests! pure early 80s electronic disco joy for packed, sweaty dance-floors. not much is known about komiko, an undercover studio outfit that featured guest vocals from carol williams, tracey weber & vicky d and was produced by the criminally underrated darryl payne (who manned the boards for sinnamon, sharon redd, carol williams, nv & many more) but it s okay, as this - their sole release, more than makes up for it! a true boogie classic indeed feel alright was a huge club record that got spin from the garage to the streets of london. if you re into that sparse, electronic and funky early 80 s boogie / electro disco sound then you wont be disappointed with this one. a guaranteed floor-filler of the highest calibre! reissued in conjunction with sam records, new york city. fully remastered with all original 1981 label artwork intact. file under - essential disco

london-based rumah offers his unique take on peak time techno. after contributions earlier this year to the wolfskuils 1st secret weapons and the 20 years compilation of james ruskins legendary blueprint, hes now debuting in solo on darko essers wolfskuil with his brilliant a view to the sea ep.

departing from the lush green planet earth and hurtling through the atmosphere in a burst of punching subs, clattering snares and flying melodies. number six on london’s ever impressive x-kaly has arrived. four cuts that do the right amount damage via a heady mixture of ethereal wandering pads, pulsating sine wave bass, improv jazz keys, languid stepped bass lines and deliciously skittish percussion all shimmering in a bath of otherworldly delight. next level stuff!

a 60 min trip into the realms of holograms and hypnosis from london s own black void smith. profesionally dubbed 60-minute chrome plus cassette.

gosu links up with london based french guy pastaga to form a breaky electro infected 3-tracker which speaks for itself. he also runs his own vinyl only label by the same name -pastaga-

august 2016 saw running back release a first volume of live tracks from redshape, but january 2017 sees the much loved artist return to delsin, his most regard label, for a second offering of the same. this time the ep has one track made in paris, and one in london, and both are filled with the sort of beautifully bleak and lo-fi sounds that have made this man such a standout artist over the years. up first is london, a chugging track that builds in pressurised layers of coarse hi hats, gurgling bass and pinging kick drums. it is a hypnotic groove that teases you as elements drop in and out and hisses of static and broken little guitar riffs add some cheeky funk. on the flip-side, paris is much more playful, with colourful pixelated melodies dancing about the mix, industrial drums working down low and steppy synths fleshing things out. overall it sounds like a future disco for inebriated robots and is one of redshape s more party starting tracks.

arthur forests name should be more widely known in the world of dance music, the man lent his expert to touch to more than one classic record emanating from detroit during his time and has quietly left an indelible fingerprint on house and techno history. here at mint condition and for our third release we are extremely proud to present one of art forest s (in our opinion) finest moments - the majestic, futuristic expectations ep. released in 1992, this 4 track ep has always been sought after by detroit lovers worldwide. often very difficult to track down and commanding high prices on the second hand market, this 12- is a real rarity. showcasing a style that stands out from a lot of records released around the same period -expectations- still sounds so killer today. listen to -flow with me- on the b-side, an insanely deep, melancholic piece of detroit house, steeped in motor city futurism (those synth pads!) and with an otherworldly vocal performance from dan carter it ticks all the boxes, absolutely sublime and worth the admission fee here alone. stunning. if you re up to your neck in the history of detroit dance music, or if you ve literally just stumbled upon this entire world of amazing music (welcome!) you ll want a piece of this. beautifully crafted deepness from a quiet master of the artform, what s not to dig? mc003 has been reissued with the permission and involvement of arthur forest and remastered by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

more brazilian inspired beats for those who love to dance barefoot! canadian record digging machine eddie c digs deep and offers up a tribute to his times spent in bahia. salve a bahia perfectly melts the vibes and sounds of the island with the music it inspires. on the flip, london production whizz ray mang gets all frisky and hits that peak time disco funk button with his cc amor. get ready to dance! more quality stuff from the brazilian 10 inch vinyl specialists. vamos!

nice price deal !!! james blake heads up the debut release on 1-800-dinosaur with two tracks showcasing the new labels forward facing manifesto. 1-800-dinosaur is the brainchild of both dan foat, the man behind r&s records revival and blake who also run the 1-800-dinosaur club night together with airhead, klaus and mr assister at plastic people in london. the release leads with metallic house banger voyeur dub, tried and tested to devastating effect on the plastic people dance floor in 2012, leading to a shortened arrangement of the song finding its way onto blakes critically acclaimed sophomore album overgrown. on the flip and holy ghost is a beat-less sojourn into the future soundscapes of electronic music and a deft reminder of blakes ability at traversing genres with ease

nice price deal !!! part of the new generation emerging fabric and rising talent along, mark e, and john roberts, we welcome the london-based millennium disco frontman debut album by pierre lx. a mix of modern techno À la berghain with dub-house & uk bass music.

exceptional, 15 minute long dancer from beatrice dillon, blessing the 12 x 12 series with a concatenated ‘nuum sidewinder can i change my mind?, where the london-based artist nimbly finds the square roots of jungle, techno, noise and minimalist dance music firmly anchored in steppers’ dub and west african percussive tradition. if you’ve ever been snagged by sotofett, dj krust or shackleton’s devilish dubs, this one’s for you!

london born paul rose’s career has been intrinsically linked to hotflush recordings, the label he set up in 2003. coming back full circle to his formative mid-90s days of following colin faver and jeff mills, rose’s fabric appearances have evolved over the years from bass music fridays to the house and techno of saturday nights. this 10” sampler, taken from the 90th instalment of the world’s leading house and techno mix series from london’s renowned fabric nightclub features two tracks from fabric90 scuba mix, both taken from scuba’s own label, hotflush.

marcel vogels intimate friends label turns to an unknown entity for their next release, giving dear earth no less than a full album to run with as a first outing. that s a strong statement of conviction, and the label are right to be so bold as dear earth shows off the kind of inventive, sample-rich approach that makes your ears prick up in an instant. supposedly hailing from london, this mysterious figure has been trawling through all kinds of ephemera and stewing it into a soulful, meandering body of work that touches on house, downtempo broken beat and more besides

my house is an edit of the diana ross classic its my house, inspired from the horse meat disco boiler room set from the eagle in london. high rollers is a mid tempo cut inspired by our appreciation of 80 s funk & disco.

newcastle-based producer traela makes his first appearance on wax with this on-point work out for hhatri, a london based label who have previously been happily working with the likes of soichi terada. there is definitely a sense of feel-good optimism and kinked drum programming hovering over this ep, especially on hanging over a river. you know i can hide also stands out with its strafing bass lick and spacescraping synth rolls, but the script gets flipped for ep closer uyokuthola as tribal percussion meets with an ambient atmosphere for a most engrossing end result.

mint condition - a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in..

south london via toronto, next up for church is jesse futerman.

kdms, the duo made up of london singer/songwriter kathy diamond and silesian producer max skiba, return with a brilliant sophomore album of club anthems and torch songs, synthetic beats and live instruments. the new old normal, out 9th december, follows their debut album kinky dramas & magic stories on gomma.

steve spacek returns to eglo records after making his label debut with the summer smash follow me. the lewisham born singer/producer continues to innovate, utilizing the latest technologly (he made these two tracks on an ipad) to push his unique london style from his new home in sydney nsw. if u wan 2 find me is a celestial slice of vocal footwork/soul, with spacek offering his own zero gravity take on the chicago sound. bside time is running out completely switches up the tempo, this stripped back techno bubbler feels like the soundtrack to a late night cruise around the red planet. signature spacek swing and acid bounce througout. steve spacek remains one of the most unique and versatile artists from the uk, born out of londons soundsystem culture his fearless and forwarding thinking approach to music and technology has made him impossible to pigeon hole. consistently on the cutting edge of new evolutions in sound and style.